Rudolph Brilloff, the Olympic Games, and Salto Mortale in Circus Performances in the Grand Duchy of Posen

Abstract

Introduction

In 1839 the Gazeta Wielkiego Xięstwa Poznańskiego (Gazette of the Grand Duchy of Posen) announced the holding of the Olympic Games in the city of Posen by Rudolph Brilloff’s circus troupe. The aim of this study is to examine the role of Rudolph Brilloff in the history of nineteenth-century circus and to ascertain whether he consciously advocated for the organization of Olympic Games in circus format as part of the legacy of the Olympic tradition. Moreover, it aims to explore the distinctive characteristics of his circus performances within the realm of the Grand Duchy of Posen.

Materials and Methods

The study used the historical methodology of the humanities of physical culture. Books, newspapers and other documents from archives and library collections in Poznan, Berlin and Potsdam were consulted. Findings: The research results show that although Rudolph Brilloff is considered the father of the German circus, little biographical information about him has survived. As a talented circus entrepreneur, who performed with his troupe under the name of the Olympic Games, he probably had little awareness or knowledge of the Olympic idea and therefore did not intend to promote it. However, Brilloff’s circus staged unique performances in the form of pantomimes or feats rarely seen in Poland before due to their dangerous nature, e.g. the salto mortale, also known as the leap of death. Summary: Rudolph Brilloff can be regarded as the forgotten father of German circus and should not be directly associated with the question of the Olympic legacy. However, Brilloff’s work had a real impact on nineteenth-century society and certainly contributed to other circuses expanding their repertoires with new elements based on various physical activities, ultimately leading to the development of modern circus art.